Wall Street Journal, November 4, 1999

David Shribman

 

It was one small spike for man, one giant leap for mankind.

With two bands of musicians standing by, with two railroad engines hyperventilating on the track, with hundreds of people gathered in excited clutches at a Utah crossroads, the final spike was hammered into the transcontinental railroad. A few moments later a message was sent in Morse code to President Ulysses S. Grant: "We have the honor to report that the last rail is laid, the last spike is driven, the Pacific Railroad is finished." It was May 10, 1869--a century before man's first visit to the moon.

This was the industrialization, immigration and imagination moment of the age. For the first time the U.S., so recently rent by a civil war that split the country north and south, was unified, banded by twin belts of iron running east to west. It occurred, as David Haward Bain writes, "at unimaginable cost and only barely foreseeable benefit," but its symbolic value was unambiguous. The railroad tied the country together.
Now, 13 decades later, Mr. Bain, who teaches at Middlebury College, has crafted the definitive story of the heroism and heartbreak that produced a railroad that crossed the mountains, desert and prairies and that stands as a monument to American technology and vision. In mass, detail and sweep, "Empire Express" is an accomplishment befitting its subject. Like the railroad itself, it is a chronicle of the American character.
The railroad was a feat of daring, engineering, construction--and politics. And in some ways it was the politics that was the most brutal, as the dreamers and draftsmen struggled over a thousand questions: whether its route should be in the north or south; whether its goal was to provide military mobility or to enhance the Union or to spur economic development; how wide its gauge should be; how it should be financed; how much lobbying, bribing and blackmailing the system could bear. The story is a case study in compromise in all spheres of human endeavor.

There were troubles aplenty. Northern financiers were preoccupied with Civil War concerns. Iron prices spiked. Excessive heat and cold bedeviled workers. Broken treaties stirred Indian's resentments. Political winds shifted. National leadership changed. Labor shortages endangered progress. The search for the timber for railroad ties, laid by some work gangs at a rate of four a minute and averaging about 2,500 a mile, imperiled the project. Swindlers and boardroom battles slowed the work. Then it snowed.

Western winters are perilous things but even more so if you are engaged in the biggest construction project of the century. Snowfalls were so deep, often reaching the shoulders of workers, that even sleighs could not pass. The heavy ox-drawn sleds that the road gangs mobilized weren't always effective. "The oxen would flounder, and [would] lay down, worn out, to be roused by the summary process of twisting their tails," one diarist recalled. "I saw three in one team so fortunate to have had theirs twisted clear off, none left to be bothered with."

Throughout the process there were power struggles and financial struggles, all rendered by Mr. Bain in great detail. As always in the 19th century, the big money, and the big jerks, were on the East coast--in truth, much of this story occurred in the courthouses and counting houses of the big cities--but the big drama, and the bigger-than-life characters, were in the West.

Indeed, through these hundreds of pages stride unforgettable characters, like Asa Whitney, a worldly importer of spices who was the transcontinental railroad's most persistent and most disappointed visionary; Theodore Dehone Judah, a New England engineer who dreamed lustily of the potential of rail travel; Collis Huntington, with his "fondness for making money and his fascination for politics"; and Thomas Clark Durant, whom Mr. Bain calls "a smoke-filled-back-room man" who would be known in folklore as the "first dictator of the railroad world."

The idea of the transcontinental railroad was big, but the work often was small--scores, hundreds, even thousands of small things. Like conducting survey studies that allowed workers to save a half mile of track of to cross ridges and ravines. or constructing waist-high woven baskets, used to lower workers down a cliff to light explosive fuses. Or carving a rock shelf to lay rail track. Or building tunnels, including one beneath the Sierra summit that was 1,600 feet long. "Against the uncooperative granite," Mr. Bain writes, "the average progress won with hand tools and black-powder charges was only seven inches per day." Much of this work was done by American laborers ad immigrants from Ireland and China, the latter sometimes referred to as "the dregs of Asia."

This is, at base, the story of slow progress. But even at seven inches a day, the transcontinental railroad is really the story of big progress. It changed the landscape of the country, to be sure. But its real achievement is far greater than that. It altered the horizon of the nation.

 

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